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Amps


Over the last few years I had more than 20 amps, including Matchless, Bad Cat, Two Rock, Bruno, Victoria, Vox, Mesa Boogie, Traynor, Savage Audio, lots of vintage Fenders (tweeds, brownface, blackface & silverface), and a few others as well.  Pictures of some of the amps I have are posted here.  I also have an Airline amp (with a Celestion Blue), two Ultrasound amps for acoustics, and a Carvin bass amp.   Check out the 6G6-B blonde Bassman, the 1960 Fender Pro (brownface) and the '67 Deluxe Reverb amps that I have sold during the last year.   I have pretty much trimmed down to one 6V6 amp (Princeton Reverb), one 6L6 amp (Pro Reverb) and one EL84 amp (Bad Cat).
[ Lanny ]

 
 

Fender Pro Reverb (blackface)  


Here is my Pro Reverb. 


 

The PB stands for February 1966.

The Weber 12F150 speakers are a very good match for this amp.

I sometimes run the amp through a 2x12 cab loaded with JBL D120F speakers.  That sounds very nice as well.

 

 


 

 

Bad Cat Black Cat 30 R


Here is the Bad Cat.  In the past I had a Black Cat 30 R combo, but it was so HEAVY I sold it - even though it sounded great. 

I missed the fabulous tone so much that I have now gone back to it, but in a more manageable head with cab, rather than combo.

Check out the chassis.

When you look at close-up photo of the wiring, you see that there are many parts labeled Matchless.  I appreciate how they do things like glue the caps together, use the Teflon coating on the wires, seal the nuts to the bolts, etc. 

 


Fender Princeton Reverb


The Princeton Reverb is so handy, and still delivers the blackface sound with reverb. 

It sounds sweet with the stock 10" Jensen, but I also like it with the fuller sound of a good 12" speaker, so a while back I bought a second baffle for it to hold a 12" speaker.  I have tried several, but once the EV SRO 'coffee can' got in there, I decided I had found my favorite 12" speaker for this amp. 

 


 

Fender Deluxe Reverb  SOLD

 

The transformer codes for this amp are all from 1966 (weeks 37, 39 & 46) and the serial number is 'A 25458', indicating a 1967 manufacture date.  Of course this is the drip-edge, blackline version, which has the 'blackface' chassis.  This one has also been serviced by Austin, Texas amp guru Jon Bessent (September 2006) and it is a wonderful amp. 

 

The date stamp in the chassis above is T355067, which indicates the assembly was the 50th week of 1967.


 

 

 

Jon Bessent (aka:Vintage Jon) is pictured at his Tonecraft Amp Repair shop in Austin, Texas as he was tuning up the brownface Pro pictured above.  He knows his stuff and keeps my amps sounding their best.    www.tonecraftamprepair.com

Below is a picture of the 6G6-B Bassman I sold.